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http://www.marierief.com/files/gimgs/th-27_DSC_0101b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0110.jpg


still present - detail

 
http://www.marierief.com/files/gimgs/th-27_DSC_0113b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0106b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0107b.jpg


still present - detail

 
http://www.marierief.com/files/gimgs/th-27_DSC_0137b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0125b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0128b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0122b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0100b.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0105.jpg
 
 
http://www.marierief.com/files/gimgs/th-27_DSC_0117b.jpg

still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 
http://www.marierief.com/files/gimgs/th-27_DSC_0119b.jpg


still present - detail

 
http://www.marierief.com/files/gimgs/th-27_DSC_0104.jpg


still present (from the series)

analogue unique from negative drawing; b/w baryta paper; 40 x 30 cm; 2017

 

still present -

Views of ceilings, window frames, fluorescent tubes and various objects re-compose to various illogic and unstable room situations. The structure of the negative drawings mixes with the overlapping of the transparent papers, forming interspaces of light or divide the scenes. The visible room parts and objects lay immersed by fading light in a dark indefinite space.